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Scenografia & Costume

Editor in chief
Francesca Romana Buffetti

Editorial Staff
Tiziana Amicuzi
Livia Borgognoni
Carlo Canè
Alida Cappellini
Eva Coen
Giovanni Licheri
Lucia Nigri
Carlo Poggioli

External Collaborators
Maria Ida Biggi
Eleonora D’Uffizi
Roberto Giussani
Matteo Recanatesi
Livio Ricciardelli
Adriano Stabile
Valentina Venturi
Patrizia Vitrugno

Translation
Vanessa Giorgis

Design and Graphic Realization
Francesco Mastantuoni

Print
Futura Grafica s.r.l.
Via A. Paolino,21 - 00178 Roma

ASC

President
Carlo Poggioli

Vice presidents
Livia Borgognoni
Lucia Nigri

Secretary
Tiziana Amicuzi

Senior Councilors
Eva Coen
Alessandra Di Fiore
Carlo Canè
Chiara Russo
Brunella De Cola

Junior Councilors
Ilaria Cascardo
Elisa Navacchi

Arbitrators
Andrea Viotti
Marco Dentici
Nino Formica

Auditor
Lorenzo Baraldi

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Our Editorial staff

Editor in chief:
Francesca Romana Buffetti

Editorial Staff:
Livia Borgognoni, Alida Cappellini
Giovanni Licheri, Lucia Nigri,
Carlo Poggioli

External Collaborators:
Eleonora D’Uffizi, Matteo Recanatesi,
Adriano Stabile, Valentina Venturi

Translation:
Vanessa Giorgis, Mike Harakis

Design and Graphic Realization:
Francesco Mastantuoni

Print:
Futura Grafica s.r.l.
Via A. Paolino,21 – 00178 Roma

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Issue 27 is now available

A life for the theater that of Silvia Polidori, costume designer who recently passed away, a multifaceted career that of Titina Rota, who, from the 1930s until she died in the late 1970s, divided her time between sets and costumes, painting, without disdaining releases in publishing. The theater section is then occupied by Roberto Capucci, who at the age of 93 tries his hand at the costumes of a Turandot destined to make history, staged at Teatro Petruzzelli in Bari; by In the Solitude of Cotton Fields, a drama by Bernard-Marie Koltès staged at the Campania Teatro Festival by Timofey Kulyabin with sets and costumes by Oleg Golovko; and by Dimitris Papaioannou, a brilliant choreographer to whom we owe a revolutionary dance show, Ink, to which the cover of this issue is dedicated. Equally rich is the cinematic panorama, represented by this season’s hit, There’s Still Tomorrow Paola Cortellesi’s debut behind the camera (production design by Paola Comencini and costume design by Alberto Moretti), Misericordia by Emma Dante (production design by Emita Frigato and costume design by Vanessa Sannino) and two other first works, Denti da Squalo by Davide Gentile (production design by Luigi Marchione and costume design by Sara Costantini) and Il più bel secolo della mia vita Vita by Alessandro Bardani (production design by Carta Marrone and costume design by Eva Coen). Interviews with production designer and art director Marco Trentini, stationed in Marrakech, Stefano De Nardis, costume designer and supervisor, and Paola Marchesin, who is responsible for the costumes of Imma Tataranni: Deputy Prosecutor. And then the Milan exhibition at the Fondazione Prada, dedicated to Wes Anderson’s Asteroid City, in which a conspicuous number of Italians worked, including Leonardo Grillo.

This and much more to discover in issue 27 of Scenografia&Costume, now online.

 BUY YOUR DIGITAL COPY NOW

A versatile accountant
From the Fondazione Giorgio Cini in Venice, which preserves her Archives, a profile of the set designer, costume designer, painter, and director of Grazia, a leading figure in Italian culture in the 1940s.

TITINA ROTA

A versatile accountant

From the Fondazione Giorgio Cini in Venice, which preserves her Archives, a profile of the set designer, costume designer, painter, and director of Grazia, a leading figure in Italian culture in the 1940s.

Leggi tutto
In the sign of Capucci 
Bari’s Teatro Petruzzelli hosted a phantasmagorical staging of Puccini’s unfinished opera with costumes by the great couturier, directed by Paul Curran and sets by Gary McCann.

TURANDOT

In the sign of Capucci

Bari’s Teatro Petruzzelli hosted a phantasmagorical staging of Puccini’s unfinished opera with costumes by the great couturier, directed by Paul Curran and sets by Gary McCann.

Leggi tutto
In Koltès’ non-place
At the Campania Teatro Festival, Ruggero Cappuccio brought an innovative staging of the French playwright, directed by Timofey Kulyabin, with sets and costumes by Oleg Golovko.

IN THE SOLITUDE OF COTTON FIELDS

In Koltès’ non-place

At the Campania Teatro Festival, Ruggero Cappuccio brought an innovative staging of the French playwright, directed by Timofey Kulyabin, with sets and costumes by Oleg Golovko.

Leggi tutto
Rome in black and white in ‘46
Paola Comencini and Alberto Moretti tell the behind-the-scenes story of Paola Cortellesi’s successful directorial debut, beloved by critics and a box-office hit in Italian theaters.

THERE’S STILL TOMORROW

Rome in black and white in ‘46

Paola Comencini and Alberto Moretti tell the behind-the-scenes story of Paola Cortellesi’s successful directorial debut, beloved by critics and a box-office hit in Italian theaters.

Leggi tutto
Among the last, at the foot of the mountain
Set in a seaside village in Sicily, Emma Dante’s third feature film features production design by Emma Frigato and costume design by Vanessa Sannino.

MISERICORDIA

Among the last, at the foot of the mountain

Set in a seaside village in Sicily, Emma Dante’s third feature film features production design by Emma Frigato and costume design by Vanessa Sannino.

Leggi tutto
That non-style that’s trending
The Rai1 magistrate, since her first appearance on TV, has also made audiences fall in love with her imaginative out-of-the-box wardrobe, designed by Paola Marchesin.

IMMA TATARANNI

That non-style that’s trending

The Rai1 magistrate, since her first appearance on TV, has also made audiences fall in love with her imaginative out-of-the-box wardrobe, designed by Paola Marchesin.

Leggi tutto

Buy your print copy on

Scenografia&Costume (Production&Costume Design Mag) magazines are NOW AVAILABLE on most AMAZON’s European, American and Turkish stores, and if you are an Amazon Prime subscriber, shipping is completely FREE!

Visit the Amazon dedicated page and find your local Amazon store 

THE DECENNIAL EDITION

The Decennial Edition of Scenografia&Costume collects the professionals interviewed in the first 10 years of publication of Scenografia&Costume, ASC’s magazine.

The scrupulously bound 300-page volume provides access to the specially created Digital Encyclopedia …

 DISCOVER MORE and BUY YOUR COPY

Behind the scenes of cinema, theatre and television

Founded in 2012 by Lorenzo Baraldi, Alida Cappellini and Giovanni Licheri, Scenografia&Costume (Production&Costume Design Mag) is the magazine published by ASC (the Italian Association of Production, Costume Designers and Set Decorators).

The magazine deals with cinema, theater and television from a privileged point of view: they are the hidden creators of films, put on scenes and TV programs to tell their work their own career.

Over the years, Scenografia&Costume (Production&Costume Design Mag) has expanded its interests, treating not only what happens in Italy but crossing the borders and looking to Europe and, further, to the whole world.

From December 2019 our mag will be published also in a digital version, to reach new readers and to be consulted in the most agile way at any time.

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