Issue 24 is now available
Italian cinema is the big star of the December issue: The fall season on the big and small screen is rich, with Rome taking center stage in Emanuele Crialese’s L’Immensità and in Paolo Virzì’s Dry, both with production design by Dimitri Capuani, but also in Caravaggio’s Shadow, directed by Michele Placido, with cinematography by Michele D’Attanasio, production design by Tonino Zera and costumes by Carlo Poggioli, in Esterno Notte, a long-running work by Marco Bellocchio, with sets by Andrea Castorina and costumes by Daria Calvelli, in Bassifondi directed by Trash Secco, with costumes by Eva Coen, and, albeit far, in Dante, by Pupi Avati with costumes by Andrea Sorrentino. Of the varied theatrical proposals, the magazine pages include the ballet Juliet and Romeo with direction, sets and choreography by Fabrizio Monteverde, and bel canto in Oman, with performances at the Royal Opera House in Muscat. Glories of the past are in the spotlight with Ezio Di Monte, a doyen among set decorators, Andrea Crisanti, a production designer to whom we owe many masterpieces of Italian and international cinema, and Mischa Scandella, among the leading figures of 20th-century theater set design.
This and much more to discover in issue 24 of Scenografia&Costume, now online.
Behind the scenes of cinema, theatre and television
Founded in 2012 by Lorenzo Baraldi, Alida Cappellini and Giovanni Licheri, Scenografia&Costume (Production&Costume Design Mag) is the magazine published by ASC (the Italian Association of Production, Costume Designers and Set Decorators).
The magazine deals with cinema, theater and television from a privileged point of view: they are the hidden creators of films, put on scenes and TV programs to tell their work their own career.
Over the years, Scenografia&Costume (Production&Costume Design Mag) has expanded its interests, treating not only what happens in Italy but crossing the borders and looking to Europe and, further, to the whole world.
From December 2019 our mag will be published also in a digital version, to reach new readers and to be consulted in the most agile way at any time.
