Issue 27 is now available
A life for the theater that of Silvia Polidori, costume designer who recently passed away, a multifaceted career that of Titina Rota, who, from the 1930s until she died in the late 1970s, divided her time between sets and costumes, painting, without disdaining releases in publishing. The theater section is then occupied by Roberto Capucci, who at the age of 93 tries his hand at the costumes of a Turandot destined to make history, staged at Teatro Petruzzelli in Bari; by In the Solitude of Cotton Fields, a drama by Bernard-Marie Koltès staged at the Campania Teatro Festival by Timofey Kulyabin with sets and costumes by Oleg Golovko; and by Dimitris Papaioannou, a brilliant choreographer to whom we owe a revolutionary dance show, Ink, to which the cover of this issue is dedicated. Equally rich is the cinematic panorama, represented by this season’s hit, There’s Still Tomorrow Paola Cortellesi’s debut behind the camera (production design by Paola Comencini and costume design by Alberto Moretti), Misericordia by Emma Dante (production design by Emita Frigato and costume design by Vanessa Sannino) and two other first works, Denti da Squalo by Davide Gentile (production design by Luigi Marchione and costume design by Sara Costantini) and Il più bel secolo della mia vita Vita by Alessandro Bardani (production design by Carta Marrone and costume design by Eva Coen). Interviews with production designer and art director Marco Trentini, stationed in Marrakech, Stefano De Nardis, costume designer and supervisor, and Paola Marchesin, who is responsible for the costumes of Imma Tataranni: Deputy Prosecutor. And then the Milan exhibition at the Fondazione Prada, dedicated to Wes Anderson’s Asteroid City, in which a conspicuous number of Italians worked, including Leonardo Grillo.
This and much more to discover in issue 27 of Scenografia&Costume, now online.
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THE DECENNIAL EDITION
The Decennial Edition of Scenografia&Costume collects the professionals interviewed in the first 10 years of publication of Scenografia&Costume, ASC’s magazine.
The scrupulously bound 300-page volume provides access to the specially created Digital Encyclopedia …
Behind the scenes of cinema, theatre and television
Founded in 2012 by Lorenzo Baraldi, Alida Cappellini and Giovanni Licheri, Scenografia&Costume (Production&Costume Design Mag) is the magazine published by ASC (the Italian Association of Production, Costume Designers and Set Decorators).
The magazine deals with cinema, theater and television from a privileged point of view: they are the hidden creators of films, put on scenes and TV programs to tell their work their own career.
Over the years, Scenografia&Costume (Production&Costume Design Mag) has expanded its interests, treating not only what happens in Italy but crossing the borders and looking to Europe and, further, to the whole world.
From December 2019 our mag will be published also in a digital version, to reach new readers and to be consulted in the most agile way at any time.
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