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Scenografia & Costume

Editor in chief
Francesca Romana Buffetti

Editorial Staff
Livia Borgognoni
Alida Cappellini
Giovanni Licheri
Lucia Nigri
Carlo Poggioli
Tiziana Amicuzi
Eva Coen

External Collaborators
Eleonora D’Uffizi
Matteo Recanatesi
Adriano Stabile
Valentina Venturi
Livio Ricciardelli

Translation
Vanessa Giorgis

Design and Graphic Realization
Francesco Mastantuoni

Print
Futura Grafica s.r.l.
Via A. Paolino,21 - 00178 Roma

ASC

President
Carlo Poggioli

Vice presidents
Livia Borgognoni
Lucia Nigri

Secretary
Pasquale Ricciardi

Senior Councilors
Bruno Amalfitano
Tiziana Amicuzi
Eva Coen
Marco Dentici
Alessandra Di Fiore

Junior Councilors
Giuseppe Cannatà
Chiara Russo

Arbitrators
Sabrina Beretta
Laura Lupi
Marta Zani

Auditor
Lorenzo Baraldi
Patrizia Barbera
Alessandra Di Fiore

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Our Editorial staff

Editor in chief:
Francesca Romana Buffetti

Editorial Staff:
Livia Borgognoni, Alida Cappellini
Giovanni Licheri, Lucia Nigri,
Carlo Poggioli

External Collaborators:
Eleonora D’Uffizi, Matteo Recanatesi,
Adriano Stabile, Valentina Venturi

Translation:
Vanessa Giorgis, Mike Harakis

Design and Graphic Realization:
Francesco Mastantuoni

Print:
Futura Grafica s.r.l.
Via A. Paolino,21 – 00178 Roma

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Issue 22 is now available

Theater is the main protagonist, with images of Ezio Frigerio’s historical productions for Giorgio Strehler and Margherita Palli’s for Luca Ronconi; opera, with Cappellini and Licheri and the sets of L’Elisir d’Amore; prose, with the sumptuous adaptation of M Il Figlio del Secolo, by Massimo Popolizio, and the musical, with Alessandro Chiti’s illusions and theatrical mechanisms and the staging of Aladin il Musical Geniale. Cinema in the spotlight, with Mariano Tufano’s costumes for the Oscar-nominated film The Hand of God, and with exclusive interviews with production designer Patrice Vermette and costume designers Jacqueline West and Bob Morgan for Dune, which swept the Academy Awards, winning six statuettes. Not least Yaya e Lennie, which confirms the talent of Alessandro Rak and the golden period for Italian animation cinema.

This and much more to discover in issue 22 of Scenografia&Costume, now online.

 BUY YOUR DIGITAL COPY NOW

Ezio Frigerio’s indelible sign
The great Italian production designer has left us, who with his more than 300 productions has written important pages in the history of theater, both national and international.

THE FAREWELL

Ezio Frigerio’s indelible sign

The great Italian production designer has left us, who with his more than 300 productions has written important pages in the history of theater, both national and international.

Leggi tutto
A “malincomical” filter that never ceases to enchant
At the Teatro Lirico di Cagliari, Alida Cappellini and Giovanni Licheri staged for the third time a now famous Mirabella’s production of Donizetti’s opera buffa.

L’ELISIR D’AMORE

A “malincomical” filter that never ceases to enchant

At the Teatro Lirico di Cagliari, Alida Cappellini and Giovanni Licheri staged for the third time a now famous Mirabella’s production of Donizetti’s opera buffa.

Leggi tutto
Popolizio’s outsized theater
The director and actor brings on stage the bestseller by Antonio Scurati on Mussolini’s rise to power in a production with sets by Marco Rossi and costumes by Gianluca Sbicca.

M IL FIGLIO DEL SECOLO

Popolizio’s outsized theater

The director and actor brings on stage the bestseller by Antonio Scurati on Mussolini’s rise to power in a production with sets by Marco Rossi and costumes by Gianluca Sbicca.

Leggi tutto
From the Oscars to the Opera di Roma
The costume designer, after the commitment on the set of The Hand of God by Paolo Sorrentino and The Ignorant Angels, worked on I Puritani, staged at the Teatro Costanzi.

MARIANO TUFANO

From the Oscars to the Opera di Roma

The costume designer, after the commitment on the set of The Hand of God by Paolo Sorrentino and The Ignorant Angels, worked on I Puritani, staged at the Teatro Costanzi.

Leggi tutto
Among Frank Herbert’s planets
Oscar-winning production designer Patrice Vermette and costume designers, Jacqueline West and Bob Morgan, reveal the behind the scenes of the blockbuster film directed by Denis Villeneuve.

DUNE

Among Frank Herbert’s planets

Oscar-winning production designer Patrice Vermette and costume designers, Jacqueline West and Bob Morgan, reveal the behind the scenes of the blockbuster film directed by Denis Villeneuve.

Leggi tutto
Bocchi, the emotion in a dress
In Parma, an exhibition dedicated to the art of elegance of the Emilian painter, enriched with 12 among vintage clothes and accessories from the Tirelli Trappetti Collection.

THE EXHIBITION

Bocchi, the emotion in a dress

In Parma, an exhibition dedicated to the art of elegance of the Emilian painter, enriched with 12 among vintage clothes and accessories from the Tirelli Trappetti Collection.

Leggi tutto

Behind the scenes of cinema, theatre and television

Founded in 2012 by Lorenzo Baraldi, Alida Cappellini and Giovanni Licheri, Scenografia&Costume (Production&Costume Design Mag) is the magazine published by ASC (the Italian Association of Production, Costume Designers and Set Decorators).

The magazine deals with cinema, theater and television from a privileged point of view: they are the hidden creators of films, put on scenes and TV programs to tell their work their own career.

Over the years, Scenografia&Costume (Production&Costume Design Mag) has expanded its interests, treating not only what happens in Italy but crossing the borders and looking to Europe and, further, to the whole world.

From December 2019 our mag will be published also in a digital version, to reach new readers and to be consulted in the most agile way at any time.

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